Sunday, November 20, 2011
Friday, October 7, 2011
Greyson Chance - Waiting Outside The Lines
Waiting Outside The Lines Greyson Chance
You’ll never enjoy your life,
living inside the box
You’re so afraid of taking chances,
how you gonna reach the top?
Rules and regulations,
force you to play it safe
Get rid of all the hesitation,
it’s time for you to seize the day
Instead of just sitting around
and looking down on tomorrow
You gotta let your feet off the ground,
the time is now
I’m waiting, waiting, just waiting,
I’m waiting, waiting outside the lines
Waiting outside the lines
Waiting outside the lines
Try to have no regrets
even if it’s just tonight
How you gonna walk ahead
if you keep living blind?
Stuck in my same position,
you deserve so much more
There’s a whole world around us,
just waiting to be explored
Instead of just sitting around
and looking down on tomorrow
You gotta let your feet off the ground,
the time is now, just let it go
The world will force you to smile
I’m here to help you notice the rainbow
Cause I know,
What’s in you is out there
I’m waiting, waiting, just waiting,
I’m waiting, waiting outside the lines
Waiting outside the lines
Waiting outside the lines
I’m trying to be patient (I’m trying to be patient)
the first step is the hardest (the hardest)
I know you can make it,
go ahead and take it
I’m Waiting, waiting, just waiting I’m waiting
I’m waiting, waiting, just waiting
I’m waiting, waiting outside the lines
Waiting outside the lines
Waiting outside the lines
You’ll never enjoy your life
Living inside the box
You’re so afraid of taking chances,
How you gonna reach the top?
Chance was born on August 16, 1997 in Wichita Falls, Texas. Chance began playing the piano at the age of 8 and has had three years of piano lessons; however, he had no formal vocal training.
Of his inspiration, Chance said, "I love artists who are able to communicate their emotions through music and sing from the heart. That’s what I’m hoping to do with my songs
Sunday, August 21, 2011
他用創意改變世界 ~ Bella Gaia
我在日本琵琶湖因為工作和林顯宗老師的因緣參與了全球琵琶湖水與和平座談會,目的是提升人們對水的意識和重要性,並協助創造世界和平。
江本勝水博士是當時的主辦單位邀請了他的好友共23位來自日本,俄羅斯,荷蘭,冰島,比利時,台灣等並結合心靈,科學和藝術以傳達水和世界和平,所以當中的演講者有科學家,音樂家,靈性大師,治療師,教授,聲音療師和作者。
我一向以來是視覺型的人,當時有一位藝術表演者,結合影音和舞蹈來傳達我們的家,Bella Gaia (美麗的地球)讓我印象非常深刻。
Kenji William提到Bella Gaia的緣起是他從一位在外太空住過一段時間的太空人告訴他,當他在外太空遙望著每一顆星球的時候,發現最美麗的星球原來是地球,因為有水。
Kenji以擅長小提琴演奏自己創作的音樂配合影音的呈現
透過螢幕上以電腦影像設計地球也從地球不同的角度,陸地,海洋,國家告訴我們地球那裡生病了。。
目前Kenji一直不停的到全世界去巡迴用他的創意為美麗地球做代言,用音樂和藝術去影響更多的人意識地球要帶給我們的訊息。
www.bellagaia.com
江本勝水博士是當時的主辦單位邀請了他的好友共23位來自日本,俄羅斯,荷蘭,冰島,比利時,台灣等並結合心靈,科學和藝術以傳達水和世界和平,所以當中的演講者有科學家,音樂家,靈性大師,治療師,教授,聲音療師和作者。
我一向以來是視覺型的人,當時有一位藝術表演者,結合影音和舞蹈來傳達我們的家,Bella Gaia (美麗的地球)讓我印象非常深刻。
Kenji William提到Bella Gaia的緣起是他從一位在外太空住過一段時間的太空人告訴他,當他在外太空遙望著每一顆星球的時候,發現最美麗的星球原來是地球,因為有水。
Kenji以擅長小提琴演奏自己創作的音樂配合影音的呈現
透過螢幕上以電腦影像設計地球也從地球不同的角度,陸地,海洋,國家告訴我們地球那裡生病了。。
目前Kenji一直不停的到全世界去巡迴用他的創意為美麗地球做代言,用音樂和藝術去影響更多的人意識地球要帶給我們的訊息。
www.bellagaia.com
The Power of NOW ~ 當下的力量
在自我療癒的過程中,非常關鍵的是“當下力量”是其中一本書陪伴我走出人生其中一次低潮期,兩年前有開始看中文版,可是就是無法把整本書看完,其中原因我無法和翻譯的中文內容合為一體的明白它。
當我翻開已買了一年的英文版時,發現非常簡單明白作者Eckhart Tolle 所寫的內容, 同時也依照每一個步驟去練習,卻意外收穫讓我放下內心對於某個人事物的執著,更讚的是我感到無比的平靜和寧靜。我深深的感受幸福是因為我擁有平靜的心和當下時刻。
這本書也是Winfrey Oprah生命中最重要的10本書之一,如果基督教有聖經,這本書也是我的其中一本聖經。
以下是我從書中引摘一些讓我省思和轉換的內容。。。
You are not your MIND
The moment you observe it, feel its energy within you, and take your attention into it, the identification is broken. A higher dimension of consciousness has come in. I call is presence. You are now the witness or the watcher of the pain-body. This means that is cannot use you anymore by pretending to be you, and it can no longer replenish itself through you. You have found your own innermost strength. You have accessed the power of NOW.
“Everything is shown up by being exposed to the light, and whatever is exposed to the light itself becomes light.” Just as you cannot fight the darkness, you cannot fight the pain-body. Trying to do so would create inner conflict and thus further pain. Watching it is enough. Watching it implies accepting it as part of what is at the moment.
Stay present, stay conscious. Be the ever-alert guardian of your inner space. You need to be present enough to be able to watch the pain-body directly and feel its energy.
Focus attention on the feeling inside you. Do not think about it –do not let the feeling turn into thinking.
Observe the attachment to your pain. Be very alert. Observe the peculiar pleasure you derive from being unhappy. Observe the compulsion to talk or think about it. The resistance will cease if you make it conscious. You can than take your attention into the pain body, stay present as the witness, and so initiate its transmutation.
My mind cannot know you, only labels, judgments, facts, and opinions about you.
The moment you realize you are not present, you are present.
None other than the power of your presence, your consciousness liberated from thoughts forms.
So deal with the past on the level of the present. The more attention you give to the past, the more you energize it, and the more likely you are to make a “self”out of it. Do not misunderstand: Attention is essential, but not to the past as past. Give attention to the present;give attention to your behaviour, to your reactions, moods, thoughts, emotions, fears and desires as they occur in the present. There is the past in you. If you can be present enough to watch all those things, not critically and analytically but nonjudgmentally, then you are dealing the past and dissolving it through the power of your presence. You cannot find yourself by going into the past. You can find yourself by coming into the present.
Whenever an answer, a solution, or a creative idea is needed, stop thinking for a moment by focusing attention on your inner energy field. Become aware of the stillness.
You recognize fully that you want to get out of it. You then narrow your attention down to the present moment without mentally labeling it in any way.
If you cannot except what is outside, than accept what is inside. If you cannot accept external condition,accept the internal condition.
Full attention is full acceptance, is surrender.
Presence removes time. Without time, no suffering, no negativity, can survive.
Saturday, July 16, 2011
《灰姑娘》的故事
上課鈴響了,孩子們跑進教室,這節課老師要講的是《灰姑娘》的故事。老師先請一個孩子上臺給同學講一講這個故事。孩子很快講完了,
老師對他表示了感謝,然後開始向全班提問。
老師:你們喜歡故事裏面的哪一個?不喜歡哪一個?為什麼?
學生:喜歡辛黛瑞拉(灰姑娘),還有王子,不喜歡她的後媽和後媽帶來的姐姐。
辛黛瑞拉善良、可愛、漂亮。後媽和姐姐對辛黛瑞拉不好。
老師:如果在午夜12點的時候,辛黛瑞拉沒有來得及跳上她的南瓜馬車,你們想一想,可能會出現什麼情況?
學生:辛黛瑞拉會變成原來髒髒的樣子,穿著破舊的衣服。哎呀,那就慘啦。
老師:所以,你們一定要做一個守時的人,不然就可能給自己帶來麻煩。
另外,你們看,你們每個人平時都打扮得漂漂亮亮的,千萬不要突然邋裏邋遢地出現在別人面前,不然你們的朋友要嚇著了。女孩子們,你們更要注意,將來你們長大和男孩子約會,要是你不注意,被你的男朋友看到你很難看的樣子,他們可能就嚇昏了(老師做昏倒狀,全班大笑)。
好,下一個問題:如果你是辛黛瑞拉的後媽,你會不會阻止辛黛瑞拉去參加王子的舞會?你們一定要誠實喲!
學生:(過了一會兒,有孩子舉手回答)是的,如果我 是辛黛瑞拉的後媽,我也會阻止她去參加王子的舞會。
老師:為什麼?
學生:因為,因為我愛自己的女兒,我希望自己的女兒成為王后?
老師:是的,所以,我們看到的後媽好像都是不好的人,她們只是對別人不夠好,可是她們對自己的孩子卻很好,你們明白了嗎?她們不是壞人,只是她們還不能夠像愛自己的孩子一樣去愛其他的孩子。
孩子們,下一個問題:辛黛瑞拉的後媽不讓她去參加王子的舞會,甚至把門鎖起來,她為什麼能夠去,而且成為舞會上最美麗的姑娘呢?
學生:因為有仙女幫助她,給她漂亮的衣服,還有把南瓜變成馬車,把狗和老鼠變成僕人。
老師:對,你們說得很好!想一想,如果辛黛瑞拉沒有得到仙女的幫助,她是不可能去參加舞會的,是不是?
學生:是的!
老師:如果狗、老鼠都不願意幫助她,她可能在最後的時刻成功地跑回家嗎?
學生:不會,那樣她就可以成功地嚇到王子了。(全班再次大笑)
老師:雖然辛黛瑞拉有仙女幫助她,但是,光有仙女的幫助還不夠。所以,孩子們,無論走到哪裏,我們都是需要朋友的。我們的朋友不一定是仙女,但是,我們需要他們,我也希望你們有很多很多的朋友。
下面,請你們想一想,如果辛黛瑞拉因為後媽不願意她參加舞會就放棄了機會,她可能成為王子的新娘嗎?
學生:不會!那樣的話,她就不會到舞會上,不會被王子遇到,認識和愛上她了。
老師:對極了!如果辛黛瑞拉不想參加舞會,就是她的後媽沒有阻止,甚至支持她去,也是沒有用的,是誰決定她要去參加王子的舞會?
學生:她自己。
老師:所以,孩子們,就是辛黛瑞拉沒有媽媽愛她,她的後媽不愛她,這也不能夠讓她不愛自己。就是因為她愛自己,她才可能去尋找自己希望得到的東西。如果你們當中有人覺得沒有人愛,或者像辛黛瑞拉一樣有一個不愛她的後媽,你們要怎麼樣?
學生:要愛自己!
老師:對,沒有一個人可以阻止你愛自己,如果你覺得別人不夠愛你,你要加倍地愛自己;如果別人沒有給你機會,你應該加倍地給自己機會;如果你們真的愛自己,就會為自己找到自己需要的東西,沒有人可以阻止辛黛瑞拉參加王子的舞會,沒有人可以阻止辛黛瑞拉當上王后,除了她自己。對不對?
學生:是的!!!
老師:最後一個問題,這個故事有什麼不合理的地方?
學生:(過了好一會)午夜12點以後所有的東西都要變回原樣,可是,辛黛瑞拉的水晶鞋沒有變回去。
老師:天哪,你們太棒了!你們看,就是偉大的作家也有出錯的時候,所以,出錯不是什麼可怕的事情。我擔保,如果你們當中誰將來要當作家,一定比這個作家更棒!你們相信嗎?
孩子們歡呼雀躍。
老師對他表示了感謝,然後開始向全班提問。
老師:你們喜歡故事裏面的哪一個?不喜歡哪一個?為什麼?
學生:喜歡辛黛瑞拉(灰姑娘),還有王子,不喜歡她的後媽和後媽帶來的姐姐。
辛黛瑞拉善良、可愛、漂亮。後媽和姐姐對辛黛瑞拉不好。
老師:如果在午夜12點的時候,辛黛瑞拉沒有來得及跳上她的南瓜馬車,你們想一想,可能會出現什麼情況?
學生:辛黛瑞拉會變成原來髒髒的樣子,穿著破舊的衣服。哎呀,那就慘啦。
老師:所以,你們一定要做一個守時的人,不然就可能給自己帶來麻煩。
另外,你們看,你們每個人平時都打扮得漂漂亮亮的,千萬不要突然邋裏邋遢地出現在別人面前,不然你們的朋友要嚇著了。女孩子們,你們更要注意,將來你們長大和男孩子約會,要是你不注意,被你的男朋友看到你很難看的樣子,他們可能就嚇昏了(老師做昏倒狀,全班大笑)。
好,下一個問題:如果你是辛黛瑞拉的後媽,你會不會阻止辛黛瑞拉去參加王子的舞會?你們一定要誠實喲!
學生:(過了一會兒,有孩子舉手回答)是的,如果我 是辛黛瑞拉的後媽,我也會阻止她去參加王子的舞會。
老師:為什麼?
學生:因為,因為我愛自己的女兒,我希望自己的女兒成為王后?
老師:是的,所以,我們看到的後媽好像都是不好的人,她們只是對別人不夠好,可是她們對自己的孩子卻很好,你們明白了嗎?她們不是壞人,只是她們還不能夠像愛自己的孩子一樣去愛其他的孩子。
孩子們,下一個問題:辛黛瑞拉的後媽不讓她去參加王子的舞會,甚至把門鎖起來,她為什麼能夠去,而且成為舞會上最美麗的姑娘呢?
學生:因為有仙女幫助她,給她漂亮的衣服,還有把南瓜變成馬車,把狗和老鼠變成僕人。
老師:對,你們說得很好!想一想,如果辛黛瑞拉沒有得到仙女的幫助,她是不可能去參加舞會的,是不是?
學生:是的!
老師:如果狗、老鼠都不願意幫助她,她可能在最後的時刻成功地跑回家嗎?
學生:不會,那樣她就可以成功地嚇到王子了。(全班再次大笑)
老師:雖然辛黛瑞拉有仙女幫助她,但是,光有仙女的幫助還不夠。所以,孩子們,無論走到哪裏,我們都是需要朋友的。我們的朋友不一定是仙女,但是,我們需要他們,我也希望你們有很多很多的朋友。
下面,請你們想一想,如果辛黛瑞拉因為後媽不願意她參加舞會就放棄了機會,她可能成為王子的新娘嗎?
學生:不會!那樣的話,她就不會到舞會上,不會被王子遇到,認識和愛上她了。
老師:對極了!如果辛黛瑞拉不想參加舞會,就是她的後媽沒有阻止,甚至支持她去,也是沒有用的,是誰決定她要去參加王子的舞會?
學生:她自己。
老師:所以,孩子們,就是辛黛瑞拉沒有媽媽愛她,她的後媽不愛她,這也不能夠讓她不愛自己。就是因為她愛自己,她才可能去尋找自己希望得到的東西。如果你們當中有人覺得沒有人愛,或者像辛黛瑞拉一樣有一個不愛她的後媽,你們要怎麼樣?
學生:要愛自己!
老師:對,沒有一個人可以阻止你愛自己,如果你覺得別人不夠愛你,你要加倍地愛自己;如果別人沒有給你機會,你應該加倍地給自己機會;如果你們真的愛自己,就會為自己找到自己需要的東西,沒有人可以阻止辛黛瑞拉參加王子的舞會,沒有人可以阻止辛黛瑞拉當上王后,除了她自己。對不對?
學生:是的!!!
老師:最後一個問題,這個故事有什麼不合理的地方?
學生:(過了好一會)午夜12點以後所有的東西都要變回原樣,可是,辛黛瑞拉的水晶鞋沒有變回去。
老師:天哪,你們太棒了!你們看,就是偉大的作家也有出錯的時候,所以,出錯不是什麼可怕的事情。我擔保,如果你們當中誰將來要當作家,一定比這個作家更棒!你們相信嗎?
孩子們歡呼雀躍。
Saturday, April 16, 2011
‘談’何容易
Once upon a time there was a painter who had just completed his course. He took 3 days and painted beautiful scenery. He wanted people's opinion about his caliber and painting skills.
He put his creation at a busy street-crossing. And just down below aboard which read -"I have painted this piece. Since I'm new to this profession I might have committed some mistakes in my strokes etc. Please put a cross wherever you see a mistake."
While he came back in the evening to collect his painting he was completely shattered to see that whole canvass was filled with Xs (crosses) and some people had even written their comments on the painting.
Disheartened and broken completely he ran to his master's place and burst into tears.
This young artist was breathing heavily and master heard him saying"I'm useless and if this is what I have learnt to paint I'm not worth becoming a painter. People have rejected me completely. I feel like dying"
Master smiled and suggested "My Son, I will prove that you are a great artist and have learnt flawless painting. Do as I say without questioning it. It WILL work."
Young artist reluctantly agreed and two days later early morning he presented a replica of his earlier painting to his master. Master took that gracefully and smiled.
"Come with me. " master said.
They reached the same street-square early morning and displayed the same painting exactly at the same place. Now master took out another board which read -"Gentlemen, I have painted this piece. Since I'm new to this profession I might have committed some mistakes in my strokes etc. I have put a box with colors and brushes just below. Please do a favor. If you see a mistake, kindly pick up the brush and correct it."
Master and disciple walked back home.
They both visited the place same evening. Young painter was surprised to see that actually there was not a single correction done so far. Next day again they visited and found painting remained untouched. They say the painting was kept there for a month for no correction came in!
Moral of the story:
It is easier to criticize, but DIFFICULT TO IMPROVE!
So don't get carried away or judge yourself by someone else’s criticism and feel depressed...
感謝CM和我分享這篇文章,提醒我們
1.會評估和建議的人是有他的自由這麽做的(自己何償也是會對别人這麽做)
2.聽的人要了解自已為何在意(從自己聽到的感受去考量到别人的感受)
He put his creation at a busy street-crossing. And just down below aboard which read -"I have painted this piece. Since I'm new to this profession I might have committed some mistakes in my strokes etc. Please put a cross wherever you see a mistake."
While he came back in the evening to collect his painting he was completely shattered to see that whole canvass was filled with Xs (crosses) and some people had even written their comments on the painting.
Disheartened and broken completely he ran to his master's place and burst into tears.
This young artist was breathing heavily and master heard him saying"I'm useless and if this is what I have learnt to paint I'm not worth becoming a painter. People have rejected me completely. I feel like dying"
Master smiled and suggested "My Son, I will prove that you are a great artist and have learnt flawless painting. Do as I say without questioning it. It WILL work."
Young artist reluctantly agreed and two days later early morning he presented a replica of his earlier painting to his master. Master took that gracefully and smiled.
"Come with me. " master said.
They reached the same street-square early morning and displayed the same painting exactly at the same place. Now master took out another board which read -"Gentlemen, I have painted this piece. Since I'm new to this profession I might have committed some mistakes in my strokes etc. I have put a box with colors and brushes just below. Please do a favor. If you see a mistake, kindly pick up the brush and correct it."
Master and disciple walked back home.
They both visited the place same evening. Young painter was surprised to see that actually there was not a single correction done so far. Next day again they visited and found painting remained untouched. They say the painting was kept there for a month for no correction came in!
Moral of the story:
It is easier to criticize, but DIFFICULT TO IMPROVE!
So don't get carried away or judge yourself by someone else’s criticism and feel depressed...
感謝CM和我分享這篇文章,提醒我們
1.會評估和建議的人是有他的自由這麽做的(自己何償也是會對别人這麽做)
2.聽的人要了解自已為何在意(從自己聽到的感受去考量到别人的感受)
Monday, April 4, 2011
命運規劃局 The Adjustment Bureau
魅力十足的年輕眾議員大衛倪瑞斯,麥特戴蒙飾,在即將成功當選美國參議員的前夕遇見一名美麗的現代芭蕾舞舞者伊莉絲,愛蜜莉布朗飾,他從來沒見過像她這樣的女人,然而就當他發現自己愛上她的時候,一群陌生人卻竭盡所能阻止他們再度相遇。大衛發現他必須反抗命運,也就是命運規劃局的幹員,他們會使用強大的力量阻止大衛和伊莉絲在一起。大衛為了克服這個成功機率幾乎是零的難關,必須忘了她,接受他被規劃好的人生,或是為了和她在一起,放棄一切,反抗命運的規劃。
每個命運規劃局的幹員手裡會帶著一本被規劃好的人生冊子,確定被他監視的對象有依照著規劃好的人事物進行,如果錯過了或突發狀況就會想辦法協助他們回到軌道。
當大衛競選參議員時,被新聞負面的報導他以往的打架,學生時代脫褲的事件等讓他落敗。此時命運規劃局幹員開始想辦法在為他補救以讓他不放棄從政。
大衛重遇讓他念念不忘的女生,然而這個相遇卻不在他原本規劃的人生冊子里,所以命運規劃局幹員想盡辦法阻止他們見面,要不然他的人生將會有變化。
命運規劃好大衛必須順利當上參議員,過程中命運規劃幹員會扮演負面的角色以創造他對女生的自責感,如果他堅持要跟她在一起,將剝奪她未來舞蹈事業,這樣他會一手毀了她的一切,最後選擇黯然離開她,接受被規劃好的人生,後來他當上議員,她也成名了,可是彼此過得不快樂。最終,他還是選擇堅持要把她找回來,想盡辦法,經過重重得困難,最後他們彼此得真愛也感動了主席,決定讓他們在一起並重新設定他們的命運。
同樣在生活上,我們對想做得事情抱持有多堅持的心念,有多少次遇到幾次的障礙或被內心的恐懼,自責,失落等打敗並相信是真的而放棄。然而這一切都是守護著我們的天使的用心和精心設計,為了要我們完成自己今生選擇要學習的課題, 也許這個課題,是堅持,不放棄,相信,愛。。只要我們做到了,這把鑰匙就可以讓我們重寫生命人生。
啓動原始碼 Source Code
電影介紹:
傑克葛倫霍飾演一名參與政府「腦波原始碼」實驗計劃的特種部隊上尉「柯特」奉命調查一宗芝加哥火車炸彈恐怖攻擊事件。
在這項前所未有的實驗中,他的腦波將被植入目擊遇難者的腦海,重返整個恐怖攻擊事件爆炸前八分鐘的時空現場,企圖透過景像還原,來追查炸彈客真兇。
當他從實驗中途醒來時,發現自己已被轉移到火車爆炸前的車廂內一位通勤上班族「史恩」身體裡。坐在他眼前的是「史恩」的女友但「柯特」卻一點也不認識她,他一心只想緊緊把握這短短的八分鐘,去尋找任何可疑炸彈客與蛛絲馬跡。「柯特」必須一次又一次地進入「史恩」這位遇難者的身體,再從痛楚萬分的爆炸中甦醒與實驗團隊重新分析鎖定目標後,又再次重返現場重複經歷可怕的火車爆炸直到找出元兇為止.
當「柯特」終於快要發現爆炸的始末與真相時,他發現在一次次與「史恩」女友的短短八分鐘互動後,竟然對她心生憐惜。就在最後一次透過「腦波原始碼」實驗重返爆炸前現場時,他做了一個最大膽的決定──他不只要揪出真兇,還要把她帶離現場,救她一命
印象很深刻,柯特幾次的被要求重新再回到火車爆炸前的8分鐘去找出元兇,很多次的過程中都出狀況,從一開始不清不楚被轉移到另一個人身上,到來來回回在毫無頭緒的情況下去找出藏炸彈的地方,到懷疑錯元兇,錯過時間,火車爆炸了,到發現自己其實已經死亡了兩個月。
就這樣因為多次的失敗再多次的重回火車爆炸8分鐘前,他也越來越清楚,會遇到的人,地方,聽到的話,他才得以找到元兇以就了百萬人的性命。
最後,他決定再回去8分鐘前,順利的阻止爆炸發生,逮到元兇,假扮自己的朋友打了一通電話給爸爸,也因此知道爸爸是愛他的,最後,他對她說如果只剩下一分鐘,她希望做甚麼?
如果事情已經發生,我們也知道結果是甚麼,再讓自己回到8分鐘前會怎麼做?可能會像柯特都是沒有順利處理好,可能很清楚不想再重複已經發生的問題,而避免了狀況發生。
如果只剩下一分鐘,我們想做甚麼?可能繼續喝下正在喝著的咖啡,正在趕著的一分報告,或著想起還沒跟自己的家人說的一句話,或著想跟自己最愛的親人在一起,偶爾不妨可以問問自己這個問題,提醒自己一下。
Monday, January 3, 2011
感謝2010~光之2011
感謝曾經被誤解,讓我明白我也誤解了他人
感謝曾經被掌控,讓我知道我也掌控了他人
感謝曾經被傷害,讓我看到我也傷害了他人
感謝曾經被要求,讓我體會我也要求了他人
感謝曾經被批評,讓我看到我也批評了他人
感謝曾經被忽略,讓我意識到我也忽略了他人
感謝曾經被否定,讓我明白我也否定自己和他人
感謝曾經被背叛,讓我知道我也背叛了自己和他人
感謝曾經未被珍惜,讓我明白我也沒有珍惜他人
感謝曾經不被尊重,讓我理解我也沒有尊重他人
感謝曾經不被瞭解,讓我看到我也沒有瞭解自己和他人
感謝生命中的黑暗,讓我明白我就是光和愛
感謝生命中曾經出現的友善靈魂,因為你們都是最愛我的
感謝生命中曾經遇見最壞的人事物,讓我瞭解其實是最美麗的天使和最棒的禮物
感謝曾經被掌控,讓我知道我也掌控了他人
感謝曾經被傷害,讓我看到我也傷害了他人
感謝曾經被要求,讓我體會我也要求了他人
感謝曾經被批評,讓我看到我也批評了他人
感謝曾經被忽略,讓我意識到我也忽略了他人
感謝曾經被否定,讓我明白我也否定自己和他人
感謝曾經被背叛,讓我知道我也背叛了自己和他人
感謝曾經未被珍惜,讓我明白我也沒有珍惜他人
感謝曾經不被尊重,讓我理解我也沒有尊重他人
感謝曾經不被瞭解,讓我看到我也沒有瞭解自己和他人
感謝生命中的黑暗,讓我明白我就是光和愛
感謝生命中曾經出現的友善靈魂,因為你們都是最愛我的
感謝生命中曾經遇見最壞的人事物,讓我瞭解其實是最美麗的天使和最棒的禮物
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